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New York, United States

School: The Juilliard School

Healthy Singing
Course Format: Classroom
This class is specially designed for those people who have had little or no vocal training. Students will learn the fundamentals of healthy singing through exercises for breath control, pitch, tone production, and phonetics. Each week the student will sing vocalises in a group, and learn corrective exercises for individual problems. Although this is not a performance class, students are welcome...
 

Piano Ensemble
Course Format: Classroom
A favorite course for students who enjoy studying, playing, and performing the four-hand and two-piano literature. In a master class setting, this course focuses on rehearsal techniques and interpretation from Mozart to Rachmaninoff and beyond. Section 1: students prepare and study works for both four hands and two pianos. Section 2: students focus on performance details of already studied repe...
 

Orchestral Conducting
Course Format: Classroom
A practical course in orchestral conducting, including baton technique, score analysis, and the study of technical and musical problems involved in conducting Classical and contemporary works. Interview required.
 

Opera
Course Format: Classroom
In this opera study course, singers will enjoy working-rehearsal sessions of acts, scenes, and arias, with stress on musical interpretation, staging, and style. Operas to be covered will be chosen from the standard repertoire. Audition required.
 

Music Production
Course Format: Classroom
A survey of electronic music production techniques most frequently used by composers, arrangers, and producers in the recording industry. Topics of study include creating rhythm tracks, arranging for electronic instruments, mixing skills, and the use of signal processing devices. Homework will include creative projects as well as listening assignments.
 

Concepts of 20th-Century Music and Beyond
Course Format: Classroom
A yearlong exploration of the significant innovations in music compositions, topics for this course include pan-diatonicism; diatonic and chromatic clusters; polytonality; altered and exotic scales and modes; free chromaticism; atonality; and various forms of serialism. The second semester emphasizes compositional techniques and procedures developed in the second half of the 20th century, inclu...
 

Form and Analysis
Course Format: Classroom
Form and Analysis is an advanced study of tonal music from the mid-19th century to the present. Topics include chromatic harmony and voice leading, and selected 20th century innovations. Extended musical structures and designs are emphasized.
 

Harmony and Counterpoint
Course Format: Classroom
The first part of Harmony and Counterpoint is concerned with the study and practice of modal and tonal counterpoint of the Renaissance and Baroque eras, followed by an introduction to the fugal procedures of the 18th century. The second part, which stems from Principals of Harmony and Form, focuses on the study of chromatic harmony and the evolution of musical form from the late 18th through ea...
 

Principles of Harmony and Form
Course Format: Classroom
Principles of Harmony introduces diatonic harmony and voice leading, as well as the basic principles of musical structure and design. Emphasis is given to compositions from the Baroque and Classical eras.
 

Keyboard Studies
Course Format: Classroom
An ideal class for performers, composers, music directors, or teachers who wish to broaden their reading and general keyboard facility. Subjects covered will include four-part harmony at the piano, improvisation in classical style, harmonization of melodies, introduction to orchestral score-reading, basic transposition skills, incorporation of vocal and accompaniment textures, rhythmic exercise...
 

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